Synopsis.
Name
Everybody's Business. A decision that everyone in the room can see, that anyone in the room could take, dropped by all of them at once ... because what is everybody's business is nobody's, and the more hands that could catch it, the surer each is that another will.
Arc
The bend is this: everyone is willing to help, and no one owns it. It runs on two lines that should rise together and instead cross. One line is the visibility: the more people who see the open thing, the more of them could act. The other line is the ownership, and it falls as the first rises, because responsibility divides by the number who hold it, so the more people who could own the thing, the smaller each one's share of the duty to, until every share is too thin to move a hand. A single person alone with the thing would simply do it: there is no one to defer to. Put ten capable people around it and it is safe, because each reads the other nine as reason enough to assume it is handled, and each deferral is evidence to the next that it is someone else's, and it sits at the seam between remits where it is plausibly anyone's and clearly no one's. Give it one name on one desk and it is done by Tuesday: the ownership is the story.
Stakes
Whether the open thing ever lands on a desk. Every plot moves it the same direction: not toward an owner, toward the group. The production cannot make responsibility survive division: the more it is shared, the less of it there is to hold. It can only show that everyone was willing, that no one was wrong to assume another had it, and that the one move that would have saved it, put your own name against it, was the one move a room full of capable people gives to each other and none of them takes.
Estate
khai-misfits: the house that holds this production and answers for the whole run.