Synopsis.
Name
Good Money After Bad. A project that should have died at its first gate, funded through every gate after, because at each one the question asked was how much have we put in ... never how much is left to gain.
Arc
The bend is this: every gate decides correctly, and the wrong project lives. It runs on two lines that should meet and never do. One line is the investment, climbing: each phase adds to a total that can only grow, because spent money does not come back. The other line is the prospect, falling: each phase reveals the payoff smaller and further off than the last. A sound decision would compare the cost still to come against the value still to get, and ignore the pile already spent. Every gate does the opposite: it turns to look at the pile, and the bigger the pile the more unthinkable it becomes to call it waste, so the bigger the pile the more the project is funded. The rule runs backward, and a rule that runs backward funds a failing thing exactly in proportion to how much it has already failed. Weigh the future against the future and the project dies at the first honest gate: the sunk cost is the story.
Stakes
Whether the future is ever weighed against the future. Every plot moves it the same direction: not toward the decision that is left, toward the investment that is gone. The production cannot make a gate forget what it has spent. It can only show that every approval was defensible, that the pile was real, and that the one question that would have killed it early, what is left to gain, was the one question no gate holding the pile could bring itself to ask.
Estate
khai-misfits: the house that holds this production and answers for the whole run.