Synopsis.
Name
Sandbag. A team that hits its number exactly, year after year, never a record and never a miss ... because a record this year buys a bigger number next year, so the surplus is parked behind the line and the real capacity is never once put on the books.
Arc
The bend is this: reward good performance with a harder target, and you teach everyone to stop performing well where it shows. It runs on time, and on a target set from your own past. This year's result becomes next year's baseline, plus a stretch, so the prize for beating the number is a higher number to beat, paid by the same person who beat it. Over-deliver once and you have raised your own bar for good. So the sensible move is to hit the target and hold: make the number, park the surplus, keep a quarter in reserve for a lean one, and at planning time talk the commit down before it is set. Do it in the open and your peers will cool on you, because a rate-buster raises the bar for the whole room. None of it is laziness and none of it is fraud: it is a rational answer to an incentive that punishes visible excellence, and the cost is not this year's number, which is met, but the number no one will ever see, the real ceiling the outfit runs forever beneath. Cut the tie between your past and your target and the holding has no point: the baseline is the story.
Stakes
Whether the outfit ever finds out what it could do. Every plot moves the same way: toward the met number, which is safe and repeatable, and away from the real capacity, which is punished the moment it shows. The production cannot make excellence safe to reveal while the target is set from the last result. It can only show that no one was idle and no one lied, that hitting the number and holding the rest was the rational reply to a ratchet, and that the one figure that would have told the outfit its own potential was the one figure the incentive taught everyone to bury.
Estate
khai-misfits: the house that holds this production and answers for the whole run.