Synopsis.
Name
The Dead Sea Effect. A team sours, slowly or fast, from bad management or dead pay or work that has stopped meaning anything ... and the ablest, who have the most offers and the fewest reasons to endure it, leave first and leave fastest, evaporating like the water from a landlocked sea, while the ones with the fewest options settle and stay, so the level of talent falls and the residue thickens, and each good departure leaves the water a little saltier, until what remains is stable, entrenched, and unable to do the work, and the stillness is mistaken for calm.
Arc
The bend is this: the good leave because they can, so the ones who cannot are what remains. It runs on a gap in mobility. Talent is mobile: skill has offers, options, an outside, so when the conditions sour, the able can and do walk, and the abler they are the sooner. The less able are embedded: fewer offers, higher cost to move, more to lose by leaving, so they stay through what the talented flee. Turnover, which looks like a healthy churn, is not random: it sorts by who can leave, and who can leave is who is worth keeping. None of it is anyone's villainy. The talented owe the souring team no loyalty and are right to go; the ones who stay are not lesser people, only less mobile, and some stay for love of the place; and the manager who let it sour meant no harm, only neglect. But the sorting has a direction: every departure of the able raises the average helplessness of the rest, which sours the place further and drives out the next tier of the able, and the residue, entrenched and threatened by talent, learns to repel the new blood that might dilute it, so a fresh hire is rejected or evaporates in turn. Cool the water, make it worth the able's while to stay, clear the blockers, and shelter the new, and the sea can freshen: but the residue holds the ground and resists the cure, the fix is slow and dear, and the hardest part is telling the settled residue from the steady soul who stayed for love and does the work, because the same stillness hides them both.
Stakes
Whether a team is judged by who stays or by who left, and whether it can tell the two kinds of stayer apart. Every plot but the last moves the same way: toward the exit, which the able can take and the rest cannot, so each round of souring subtracts the top of the talent and leaves the bottom, concentrating the residue. The production cannot make the able stay in a place not worth staying in, nor make the immobile leave one they cannot afford to, so turnover sorts by mobility and the sorting runs downhill. It can only show that no one was a villain, that the talented were right to go and the stayers are not lesser and the manager only neglected, and that the one thing that would freshen the water, cooling the heat and keeping the able and clearing the blockers, is resisted by the very residue it must move, and asks a manager to tell the settled salt from the steady soul when the same stillness hides them both.
Estate
khai-misfits: the house that holds this production and answers for the whole run.